Breaking Ground 2001 - 2009
Elaine Agnew, Ron Cooney and the Ballymun Windband Project
First and Last and Always
Kevin Atherton
Hotel Ballymun Art Bursary
Stephen Brandes & Brigid Harte
Gabrielle Breathnach
Cecily Brennan
Niamh Breslin
John Byrne
Adam Chodzko
Andrew Clancy
Elizabeth Comerford
Catherine Delaney
Carl Doran
Sinead Dowling
Jeanette Doyle with the women from the Star Project
Joyce Duffy
Alberto Duman & St. John Handley
Janice Feighery
Natasha Fischell and the St. Margaret's Traveller women's group.
Mary Fitzgerald
Mark Francis
Jochen Gerz
Paddy Jolley, Rebecca Trost and Inger Lise Hansen
Robert Kelly
Gillian Kenny
Dave Kinane
John Kindness
Art in the Life World
Fuzzy Logic
Louise Lowe & Owen Boss
Paul McKinley
Michael McLoughlin
Lia Mills
Cecilia Moore
Seamus Nolan
Mick O'Kelly
Hugh O'Neill
Axis & Will O'Donovan
Perry Ogden
Desperate Optimists
Voice Our Concern
Linda Quinlan
Ultra Red & Sarah Pierce
Rowan Tolley
Corban Walker
Grace Weir & Graham Parker
Felicity Williams
Daphne Wright

 

Mick O'Kelly

Urban Space and Models of Sustainability


Mick O’Kelly has developed a proposal to build scaled architectural models of the old Ballymun tower blocks that will be fully functioning Beehives. The project seeks to explore the interplay of positions and relationships of parallel models of societal structures. There is an obvious parallel between the Imperial Empire and the hierarchical social structure of the Bee Colony. The status of the Queen as head supported by the workers, guards and drones resembles that of the Monarchy. There are also parallels to systems of Capitalism where the production of honey becomes the capital of the hive and the beekeepers draw of the honey as surplus capital for profit. Questions of value, labour and capitalism are inherently at play. Equally models of a spatial organisation utopian urbanism are present.

This project offers an interesting and engaging arena for research across diverse borders and disciplines to examine and question sustainable models of societal structures and new forms of urban imagination. The anticipated working structure for this project emphasises collaborative and participatory forms of practice.

Living in urban spaces is complex and demands a matrix of spatial organization in which to build a sustainable future. This includes urban planning, healthcare, education, transport infrastructure, clean water, sanitation, housing and energy. We have moved beyond sustainable thinking as an alternative lifestyle to positions of necessity to avoid apocalyptic disaster.

Mick O’Kelly is interested in developing strategies for sustainability that provide flexibility, adaptability to building new urban imaginings for how we produce the social spaces we inhabit. This can be envisaged as sustainable approaches to art, architecture, special organization or how we use the land for agriculture or energy. From an art perspective this approach can be visualized through a docking-on-to, plugging-into existent urban structures offering indeterminate and as yet unimagined outcomes. Sustainability can be temporal in thinking and practice, small in scale but with global implications. Building relationships between art and other urban practices can lead to innovation and new ways of producing and inhabiting urban spaces.

Mick O'Kelly, 2009


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